As a recovering blacktextile-a-holic, I’m always looking for ways to pat myself on my now-more-brilliantly-hued back about my expanded color horizons. Too bad my smugness usually tends to be premature at best and delusional at worst!
[Not to mention annoying any way one slices it.]
Thanks to my DNA-derived ability to deny what’s transparent as new crystal, however, I’m generally able to happily co-exist with my fictional wardrobe until just-try-to-rationalize-THIS proof to the contrary arrives. And right around this time last year, “to the contrary” arrived with reinforcements when I blithely divided my brisk-weather clothing into “color” and “white-to-black” and found something startling: a blatant tonality teeter-totter.
Sometimes reality bites AND barks.
So before buying any new clothes for Fall/Winter 2010, I resolved to go into my closet with toothpicked-open eyes and see how I might best and most fearlessly allocate my resources.
I felt just like Napoleon, but taller!
Luckily, August’s emergency business suiting crisis and late-breaking heat wave gave me good reason to procrastinate over actually DOING any of the scut work I had so solemnly swear’d to undertake.
By early September, though, I grudgingly set aside time to fling open drawers, drag items off hangers, and paw through cedar-sheltered wool. Having tripped into—and subsequently enjoyed—a 5-piece, colorful-for-me capsule in 2009, I was keen to replicate my relative success.
But after cataloging the contents I saw before me in a semi-organized jumble, I whoa-nellyed. I knew I had best cast my increasingly beady eye on trend forecasts (goose-stepping moto-leathered knit-laden minimalistic 50s debutantes in vivid or bleached-out shades!) to better understand where the fashion juggernaut had placed its stakes in the seasonal landscape.
The landscape I would be dear god! trying to avoid or embrace in some way/shape, no matter how mutated my results might end up.
Having already decided to pursue winterized versions of the cool-toned blues and greens I now wear quite often in the summer, I took a moment to silently congratulate Pantone Inc for its good taste in selecting “Lagoon” as one of 10 key colors for fall. Especially as I had some blue/green items kicking around from spring that I could carry over.
[None were highly textured cocktail dresses, alas.]
Left: My closet’s fall/winter colors now include tropical blues and greens. Right: Pantone’s Fall 2010 “Lagoon.”
And then I moved forward. Between custom and retail choices, I ended up with 4 new items that sit pretty neatly into my Contrarian Classicist zone…and a 5th outlier that defiles its cool-hued majority with a few “tobacco” and “sunshine” blobs:
Top: Fall/winter purchases in what I’ll pretentiously term Palette 1. Bottom: Blue/green flings from Spring ’10.
Buys that will keep me from feeling blue:
- medium-weight ribbed merino cardigan (with more ruffles along the décolletage that I need or really desire, but oooooh with that shade it had me at hello)
- deep blue, semi-sheer wool jersey sweater with detachable cowl/Senior Portrait stole
- medium blue layering T
- dolman-sleeved, banded-at-hip silk jersey top in strangely compelling Grandma’s-Wamsutta-bedding print
- lightweight green wool herringbone pencil skirt
- …and this spring’s layering Ts, cardigans, and scarf—plus other random blue/green items that I still like well enough to use as a garnish
The wool skirt works with all the tops; most of the tops work with each other; and so on and so forth. Throw in my denim pencil skirt, jeans, and spring’s green/blue shawl and I think even the purists would call it a fairly flexible, 8-piece tone-on-tone capsule.
And technically the blue jersey’s detachable cowl/stole can double as a miniskirt, bringing me to 9 items.
While of course I’m pairing the new duds with the usual grey/black/brown to knock the vibrancy down a notch, I’ve actually happily starting wearing the above together; for some reason, I never mind standing out in head-to-toe color-color if the hue in question is blue and/or green.
BRING ON YOUR SMURF OR JOLLY GREEN GIANT JOKES
With paradise’s main colors covered, it seemed prudent to base Palette 2 on the buys I’d made last winter—items heavy on the rose and purple/plum, items that play well with my bitter chocolate and reddish browns. Despite my investigative reporting showing that a Pantone Fall ALWAYS seems to have bright purple, I’ll pretend the inclusion of the vivid “Purple Orchid” in the company’s forecast helped sway my decision…
Left: This season’s closet will also be taking up where last winter’s buys left off. Right: Pantone’s Fall 2010 “Purple Orchid.”
…even though I think it’s pretty obvious I was more influenced by the costumes of Young Victoria.
Above: The Queen Victoria costumes share a little something with my Palette 2 buys.
Purchases that bode well for a purple half-reign:
- oversized purple/violet scarf
- bright rose layering T
- long-sleeved blush/rose/brown knit sweater, kin to summer’s low-backed Strawberry Fudge Ripple tank
- muted red-violet wool jersey jacket
- rose/black/café au lait/bone vaguely animal print shell
Now unless one is a strumpet/free spirit who eschews wearing bottoms, it’s cheating to call the above a self-contained tone-on-tone capsule. But by pulling in two below-the-belt members of my Accidental Capsule—a brownish-plum wool skirt and prune-y cords—I bet it qualifies.
Left: Last winter’s below-the-belt picks—a brownish-plum wool skirt and prune-y cords. Right: Pantone Color Report’s Fall 2010 choices.
As for more sedate capsules? No worries. There’s certainly no shortage of deep brown, grey, or coal-colored items round these parts. It’s just that when the sun’s vanished and dirty puddles lap at my feet and I’ve had it with those around me, it’s nice to know I can sport a shade that puts me more in line with—if not exactly over—the rainbow.
Next: See my green-blue revue in action in Marine Drive
Filed under: appearance, capsule wardrobe, color, style over 40 Tagged: | closet analysis, closet wardrobe audit, color, costume design, Persnickety Bohemian, self-indulgent, texture/pattern, wardrobe management, Young Victoria